Like Eric Morecambe’s piano-playing, this serial-killer misfire hits all the right notes, just not necessarily in the right order
Time Out Dubai staff
Like Eric Morecambe’s piano-playing, this serial-killer misfire hits all the right notes, just not necessarily in the right order. There are gruesome murders, a distinctive MO (the killer leaves a snowman outside his victims’ homes) and a troubled cop to make sense of it all.
Alas, the tension dissipates in a tangle of muddled subplots, sluggish pacing and some strange decisions from director Tomas Alfredson (Tinker Tailor Soldier Spy). The result isn’t a Bone Collector, never mind a Se7en.
The “star” of the show is Michael Fassbender’s Oslo detective Harry Hole, a veteran crime-solver with genius-level insight, a self-destructive streak and – for some reason – a plastic bag he carries everywhere. This is a man with so much baggage, some of it is actual baggage.
But it’s in the more standard genre elements that The Snowman really melts. Few of the murders are shown first-hand, squandering tension, and the trail of clues is regularly forgotten.
Where Alfredson does succeed is in realising the film’s rich visual landscape. The ice-crusted fjords and valleys shimmer in the frost. It’s not enough to salvage the story, and it’s unlikely to launch the hoped-for Harry Hole franchise, but it doesn’t half sell Norway. Phil De Semlyen
The bottom line Should have been great, is actually gibberish.
Crime, Drama, Horror
Michael Fassbender, Rebecca Ferguson, Chloë Sevigny
Time Out Dubai staffhttp://www.timeoutdubai.com
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