Brad Pitt zombie flick holds tight on top of the UAE cinema chart after SEVEN weeks
Time Out staff
10 The Internship Director: Shawn Levy Stars: Vince Vaughn, Owen Wilson, Rose Byrne, Aasif Mandvi, Max Minghella, Josh Brener, Dylan O'Brien, Tiya Sircar
Thanks to his unvaryingly untucked insouciance, Vince Vaughn appears to be slouching toward mass ignominy. But in truth he’s been hustling of late, having taken up screenwriting and penned three recent snark-coms, including this dispiriting reteam with fellow Wedding Crasher Owen Wilson. Vaughn’s Billy is a smooth-talking salesman who, alongside his chummy partner Nick, finds himself professionally obsolete. The tech-illiterate duo charm their way into age-inappropriate internships at Google, where they show nerds how to party and become patron saints of second chances.
The Internship is all too eager to affirm the go-bro status quo. Nothing surprises here, save standout Rose Byrne. Supersizing product placement to the level of full-on corporate sponsorship, director Shawn Levy envisions the Internet giant’s Bay Area compound as an amusement park of gleaming surfaces and unlimited refills. Alas, such kowtowing is indicative of a movie sorely bereft of ideas, laughs and justification for the comic duo’s undifferentiating self-regard. Eric Hynes
Weekly box office: Dhs100,292 Weekly admissions: 2,372 Total box office: Dhs2,503,886 Total admissions: 62,968
9 Man of Steel Director: Zack Snyder Stars: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Russell Crowe, Antje Traue, Harry Lennix, Richard Schiff
It’s a cliché followed by a yawn when the makers of comic-book movies boast about how ‘real’ and ‘psychological’ their stories are. Yes, we know, Spider-Man and Batman were just troubled sons with daddy issues. But it’s harder to make those claims for a Superman tale, even when the producer is Batman regenerator Christopher Nolan – a man with more backstories than an osteopath. Just how ‘real’ can the story of a genetically-modified baby launched to Earth from a planet called Krypton ever feel?
And so it’s no surprise that Man of Steel feels both modern and traditional – a halfway house between the broodier Nolan way of shaking things up and the louder, bone-crunching style that director Zack Snyder established with films such as 300 and Sucker Punch. Man of Steel is punchy, engaging and fun, even if it slips into a final 45 minutes of explosions and fights during which reason starts to vanish and the science gets muddy.
It opens with a lengthy preamble explaining how Jor-El (Russell Crowe) launched his son Kal to Earth just as his planet was falling apart, and how failed coup leader General Zod (Michael Shannon, a muted villain) was banished at the same time. It’s here, and at the end, that Snyder is at his most baroque: first, he indulges the weird science of Krypton, and later he enjoys giving America a vicious pounding when Zod tracks down Superman.
It’s in the middle section, post-Krypton, pre-showdown, that the film hits its stride. Clark Kent (Henry Cavill, a good choice for Superman: solid, sturdy, fairly anonymous) is a twenty-something wanderer uneasy with his powers. Rather than leading us through his whole life so far, Snyder tells the tale of Kent reconnecting with his past, finding the super-suit (unshiny, like the movie) and testing his powers, while often flashing back to his childhood. Soon, journalist Lois Lane (Amy Adams) knows what’s up. Adams’s character is different to the Margot Kidder version: she’s a tough-cookie investigator and not the sort to be hoodwinked by a pair of thick-rimmed glasses and a comb-over.
Mostly, this Superman is more action than angst. But those daddy issues are still in play. Crowe – never an actor to show his ticklish side – plays Jor-El like he’s Hamlet’s father. Kevin Costner is Superman’s Earth dad in pastoral scenes full of cornfields, clothes on the line and snapshots of an easier time which look like they were conceived soon after a screening of Terrence Malick’s The Tree of Life.
At times, you wish for a quick dash into a phone box and a cat that needs rescuing from a tree. Snyder is no party pooper, though. He might not resurrect Superman’s old theme tune, nor does he allow the word ‘Superman’ to be spoken (it’s all Clark and Kal). But by the end, he’s teased in some of the more amusing elements of the old story we thought were missing, leaving the way open for a sequel that will surely be more Earthbound. Dave Calhoun
Weekly box office: Dhs127,424 Weekly admissions: 2,476 Total box office: Dhs15,823,038 Total admissions: 341,643
8 Jackie Chan: Shaolin Director: Benny Chan Stars: Shaoqun Yu, Chen Zhiui, Yu Xing, Jacky Wu, Nicholas Tse, Hai Yu, Andy Lau, Bingbing Fan
There’s nothing at all appealing (at first) about Andy Lau’s maniacal military man in Benny Chan’s diverting yet lightweight martial-arts epic. Lau’s General Hou Jie is one mean proposition: brazenly riding into Dengfeng, China’s famed monastery-cum-combat-training-school to kill an enemy warlord, dressing down his second-in-command, Cao Man (Tse) and plotting the death of a military rival so his power will be unchallenged. But the general’s spittle-flecked dreams of domination are dashed when Cao Man stages a bloody coup.
Having lost everything, the humbled Hou returns to the monastery, where he makes like post-Ike Tina Turner and devotes himself to Buddhism. It’s an unconvincing character turn – visualised via a number of what-have-I-done-with-my-life close-ups and some pensive wax-on-wax-off training montages. But then comes the good stuff: a series of spectacularly filmed action sequences that pit our newly enlightened protagonist and his bamboo-wielding brethren against Cao Man and his destructive forces. Fists fly furiously and much blood is spilled; there’s a sacrifice via sword that’s both cringe-inducing and cheer worthy. Even special guest star Jackie Chan gets in on the fun with a hilarious bit of food-jitsu. It’s almost enough to make you forget that this entertainingly hollow film is populated entirely with toy soldiers. Keith Uhlich
Weekly box office: Dhs98,566 Weekly admissions: 2,593 Total box office: Dhs849,161 Total admissions: 22,657
7 Peeples Director: Tina Gordon Chism Stars: Craig Robinson, Kerry Washington, David Alan Grier, S. Epatha Merkerson, Tyler James Williams, Melvin Van Peebles, Diahann Carroll
The great David Alan Grier deserves to headline a big-time summer comedy—albeit one superior to this second-rate Meet the Parents–style farce. Grier’s Judge Virgil Peeples is a demanding paterfamilias who frowns mightily upon Wade (The Office’s Craig Robinson) – the new beau of his daughter, Grace (Kerry Washington) – for crashing a family get-together at his summer home. Over the course of a weekend, Wade is molested by a dog, burns down a sacred tepee and hallucinates, all while Virgil steams at this interloper’s bumbling attempts to ask for Grace’s hand in marriage and thus integrate himself into the upper-class clan. Familial secrets are eventually cast into the light, albeit via uniformly underlit and ungainly direction by Tina Gordon Chism. Still, Grier’s comedic timing remains spot-on, and his rapport with Robinson is often pleasingly prickly. But defined by Three’s Company – grade humour – courtesy of several awkward transitional fades to black – already feels constructed to accommodate commercial breaks. Nick Schager
Weekly box office: Dhs142,212 Weekly admissions: 3,699 Total box office: Dhs142,212 Total admissions: 3,699
6 The Heat Director: Katie Dippold Stars: Sandra Bullock, Melissa McCarthy, Demián Bichir, Marlon Wayans, Michael Rapaport, Jane Curtin, Spoken Reasons, Dan Bakkedahl
There are high hopes for this cop comedy, which reunites two key elements from the Bridesmaids dream team: director Paul Feig and actress Melissa McCarthy. She is officially Hollywood’s new favourite funny lady after bagging an Oscar nomination for her hilarious turn in that movie. Here she’s a tough, profanity-spewing, scenery-chewing FBI agent. Sandra Bullock plays an officer so uptight that her minions mutiny. So yes, you guessed it, they get buddied up to take down a crime baron. The plot might sound as old as the hills, but the trailer is promising, with McCarthy freestyling her brand of hyper-weirdness and the Missy Ellliott remix of M.I.A.’s Bad Girls on the soundtrack. The studio behind the film, Fox, is clearly impressed: they’ve snapped up Feig to produce and direct his own comedy movies, in a deal not a million miles away from former collaborator Judd Apatow’s arrangement with Universal. Time Out Dubai staff
Weekly box office: Dhs197,631 Weekly admissions: 4,593 Total box office: Dhs3,970,600 Total admissions: 95,374
5 Monsters University Director: Dan Scanlon Stars: Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Peter Sohn, Joel Murray, Sean Hayes, Dave Foley
More than a decade after Monsters, Inc. comes this prequel detailing the university days of Mike (Billy Crystal) and Sulley (John Goodman) – a time when they weren’t quite so chummy. Eventually Mike’s fierce rivalry with natural-born scarer Sulley gets them both kicked out of Monster University’s elite Scare Program. Steve Buscemi will reprise his role as Randall Boggs while new voice cast members include Dave Foley, Julia Sweeney, Joel Murray and Peter Sohn. Also coming back for more is Jennifer Tilly as Celia. Dan Scanlon (Tracy) directs. Time Out Dubai staff
Weekly box office: Dhs209,278 Weekly admissions: 4,660 Total box office: Dhs10,666,425 Total admissions: 257,294
4 White House Down Director: Roland Emmerich Stars: Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Jason Clarke, Richard Jenkins, Joey King, James Woods
We’re expecting this back-to basics action caper to mark a return to form for director Roland Emmerich. A man who has previously threatened to annihilate mankind in Independence Day, Godzilla, The Day After Tomorrow and 2012, this time it’s just the fate of the USA which is at stake. In a delightfully dumbed-down, one-man-against-the-world premise which takes its cues from the Die Hard franchise, beat cop John Cale (a beefed-up Channing Tatum) has just been denied his dream job with the Secret Service of protecting President James Sawyer (Jamie Foxx). Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. So, with the nation’s government falling into chaos and time running out, it’s up to Cale to save the president, his daughter and the country. Cue dramatic music. Time Out staff
Weekly box office: Dhs199,983 Weekly admissions: 4,983 Total box office: Dhs8,193,907 Total admissions: 199,058
3 Now You See Me Director: Louis Leterrier Stars: Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Isla Fisher, Dave Franco, Mélanie Laurent, Morgan Freeman, Michael Caine
Movies about magic rarely work – a good trick requires the gasp of a live audience – and the unsubtle hands behind this abracadabra heist film aren’t the ones to prove otherwise. Right from the get-go, we doubt the skills (heavily buttressed by CGI) of our heroic quartet: Daniel (Eisenberg) seduces with card tricks; wild-eyed Merritt (Woody Harrelson) can hypnotise strangers at a touch; Henley (Isla Fisher) mysteriously escapes a glass box swarming with piranhas; and Jack (Dave Franco, James’ clonelike younger brother) boosts wallets on the ferry. Drawn together by a mysterious invitation, they become the Four Horsemen, raining millions of dollar bills on thrilled Vegas crowds and perhaps committing crimes in the process.
Nothing about their antics is remotely believable or, worse, charming in the slightest; the camera leaps across the stage, slinging our eyeballs around as the lights swivel. It’s not like we’ve ever turned to Louis Leterrier (the French hack-for-hire behind 2010’s Clash of the Titans) for psychological realism. But shouldn’t someone have warned him that his hyperventilating technique might kill the mood? When Mark Ruffalo shows up as a crumpled detective, you expect a dose of reality, yet on his heels come twin hams Michael Caine and Morgan Freeman, whose solemn presences (as Christopher Nolan knows well) prove wonderful distractions from silliness. Joshua Rothkopf
Weekly box office: Dhs186,897 Weekly admissions: 5,012 Total box office: Dhs8,387,950 Total admissions: 224,755
2 Guns, Girls and Gambling Director: Michael Winnick Stars: Christian Slater, Powers Boothe, Dane Cook
Falsely accused of stealing a priceless Apache artefact from a casino, this comedy thriller sees John Smith (Christian Slater) given only 24 hours to return the valuable object or face assassination, cowboys, Indians, Native Americans, sheriffs and Elvis impersonators. TO
Weekly box office: Dhs214,903 Weekly admissions: 5,694 Total box office: Dhs214,903 Total admissions: 5,694
1 World War Z Director: Marc Forster Stars: Brad Pitt, Mireille Enos, James Badge Dale, Daniella Kertesz, Ludi Boeken, Matthew Fox, Fana Mokoena, David Morse
So here it is: Brad Pitt vs zombies. The traditionally low-budget zombie genre has been treated to a blowout Dhs700 million blockbuster makeover. The result looks less like a horror flick and more like a thinking man’s action-thriller. The film is adapted from Max Brooks’s novel, and Pitt stars as a UN investigator on a global mission to find patient zero in a zombie epidemic. That eye-popping budget buys some mindblowing scenes. The best are skin-crawlingly nightmarish shots of a swarm of zombies over-running a city like truckloads of ants in a garden. But that kind of cash should have stretched to a third act, set in a laboratory in Wales, that doesn’t look like a cheap TV drama.
It begins with some sharp thrills and jolts. Director Marc Foster (Quantum of Solace) doesn’t hang about. One minute Pitt (who’s just quit the UN to be the hottest dad on the school run) is driving the family into the city. Then bam. The first wave of zombies hits. These scenes inspire a cold sweat. Obviously science leans against the likelihood of a zombie epidemic wiping out a chunk of humanity – but, watching the anarchy here, you can well believe that if something bad does happen, we’ll retreat to the Dark Ages in 15 minutes.
There are shades of real-world thrillers such as Contagion or Children of Men as Pitt is recalled to the UN and packed off with a viral expert to find the source of the outbreak. First stop is South Korea, where we get a sense of how governments are responding. North Korea has the genius idea of pulling out people’s teeth (think about it). One nation took the threat seriously early on and put itself into quarantine. Pitt suspects they might be to blame, but the truth is subtler. All this unfolds between explosions and the splatting of undead brains. Wearing an Arab scarf, Pitt is convincing as a veteran of conflicts in Liberia and the Balkans, half bleeding heart liberal, half tough guy.
What’s missing is a sense of loss. The horror and grief that should be etched on the faces of the living. As for that third act, you’ll be breaking into Shaun of the Dead giggles at the sight of middle-aged men in labcoats chasing Brad Pitt around the set of a hospital drama. Cath Clarke
Weekly box office: Dhs300,352 Weekly admissions: 6,606 Total box office: Dhs13,633,528 Total admissions: 309,549