1 It was a mum and dad classic While Rumours is seen as Fleetwood Mac’s classic album, Tango in the Night, released ten years later, ended up having far more influence on millennials than it’s given credit for. Back in 1977, Rumours propelled the band into the mainstream, so by the time they released Tango – which featured Everywhere and two other hits, Big Love and Little Lies – they had acquired an affluent audience who’d swapped shawls for shoulder pads, and crucially, bought lots of newfangled CD copies of the record. The effect was that a generation of future Mac devotees – Haim, Best Coast, Vampire Weekend, Hot Chip – all grew up with the silken sounds of Tango in the Night. And what sounds they were…
2 It’s smoother than silk Of course, the main and most obvious reason for the song’s modern ubiquity and endurance across decades is, duh, because it’s simply an amazing song. From those opening bells to that mesmerising one-note coda outro, Everywhere is the kind of song a celestial unicorn would listen to before dancing merrily atop a cloud. Like many of the hits on Tango in the Night, the Christine McVie-written single sits in a strange cross-section of ’80s tropes – a smidgen of ethereal synth work (à la Kate Bush and Cocteau Twins) meets yearning rock songwriting and a cast-iron groove. But, crucially, it’s played with a deft, featherlight touch. It’s that gentleness that would help it go on to become a classic.
3 It aided a Balearic revival Everywhere was a hit when it came out as a single in 1987, reaching Number 4 in the UK charts, but it didn’t truly permeate the mainstream until the mid-noughties. Around then, years of dubstep gloom and ear-bashing electro had led to a counter-resurgence of music fans seeking out smoother, gentler Balearic-style fare and tropical pop gems. Everywhere exemplified all of that, and nowhere was this resurgence seen more acutely than at Bestival, which in its early years was a smaller, way-more-hippyish affair. It is no exaggeration to say that you physically couldn’t walk for three minutes on site without hearing a DJ, communal singing at a silent disco or the tinny radio in a burger van all blaring it out.
4 Next: dancefloor dominance Another big step towards its omnipresence was a 2010 remix by disco duo Psychemagik, which gave it even more of a dancefloor presence, thicker beats and a teasing extended groove. It became an era-defining remix that spread by word-of-mouth to the point where it was the last tune played at Space Ibiza’s closing party that year. It also kicked off a slew of remixes that would lead to the incredibly successful Fleetmac Wood, a global party where the only sounds all evening are Mac mixes.
5 And of course, that pony… Having been revived on the cooler edges of culture, Everywhere became truly ubiquitous in 2013, with a British TV advert depicting a Shetland pony moonwalking to its swaying shuffle. Unbelievably, the ad was such a success that the song was re-released and even featured on Now That’s What I Call Music! 84 alongside Rita Ora and Nicole Scherzinger. At last, true fame! The 13th anniversary reissue of Tango in the Night is out now.
Three more '80s remixes
De La Soul Buddy The remix of this mellow hip-hop track brought in guest verses from Phife Dawg, Monie Love and Queen Latifah to complement the ones from Q-Tip and the Jungle Brothers in the original. The result is an extra funky version of the catchy original.
Hall & Oates I Can’t Go For That The smooth ’80s soul-pop of this American duo was remixed by Kaskade to create a toe-tapping electro disco version of the song that you can’t help dancing to. The kind of groovy, retro sound that you’ll end up having on repeat.
Rihanna & Calvin Harris This Is What You Came For Turns out, ’80s remixes of current hits are a thing on YouTube. If you haven’t yet heard Saint-Laurent’s retro version of this 2016 Rihanna and Calvin Harris hit, you need it in your life. It’s ludicrous. And actually quite brilliant.