Inferno (1980)

Horror cinema at its most baroque: a simple libretto is embroidered with elaborate, flowing camera movements, abstract blocks of colour, unsettling sound effects and soundtrack composer Keith Emerson’s thunderous rock variations on Verdi. Drawing, like Suspiria before it, on Thomas de Quincey’s mythology of The Three Mothers, it explores the long-distance relationship between Rose (Miracle) and her brother Mark (McClosky), who inhabit apartment houses in New York and Rome. These buildings were built to house The Mother of Darkness and The Mother of Tears. Miracle’s early dip into the muffled world of a flooded sub-basement immediately immerses us in the dreamlike narrative, one that replicates the free associative fluidity of the unconscious. Argento’s best work is far behind him, but this alone justifies his cult reputation. NF
Dir Dario Argento (Leigh McCloskey, Irene Miracle, Alida Valli, Daria Nicolodi)

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