Reflecting on mortality

New York author Shane Jones on his inspiration

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In Crystal Eaters, New York author Shane Jones reflects on parenthood and mortality.

Let’s begin with death. ‘I think everybody’s obsessed with death to a certain extent,’ Shane Jones says, talking about his book at an event in New York. ‘And the idea of a woman dying – and a mother dying – seems so intense. There is a power there.’

In Crystal Eaters, Jones’ new novel (following the much-acclaimed Light Boxes and Daniel Fights a Hurricane), an intricate plot grows from the impending death of a mother in a village where the townspeople mine crystals. Every living being also possesses internal crystals, and (as in a video game) a character’s crystal count decreases over a lifetime. Humans begin with 100; this mother has only a handful left. But her daughter, Remy, and (imprisoned) son, Pants, trust devotedly, in the crystals and obsess over the possibility of raising their mother’s count to keep her alive.

Remy roams about the novel, bickering with her father and haunting the crystal mines, searching for the fabled black crystal, which, the stories say, can increase one’s count. Though Pants, in prison, has discovered and regularly consumes a black crystal himself, his actions bear little consequence on the narrative or the fantastical world. Jones asserts, ‘All the action spins off of the mother dying or what Remy is doing. All the women have the power in the book.’

The novel’s intricate plot is a beautiful, crystalline structure orbiting the mother – so as her condition worsens, the physical world, too, deteriorates: the Sun appears closer and closer to the Earth’s surface, suffocating everyone with heat, and the nearby city inexplicably expands, threatening to consume the entire village.

Jones credits his wife with inspiring his interest in crystals and says: ‘I like the idea of almost any type of belief system, from religion, at one end of the spectrum, to crystals at the other end. I respect people that are so devoted to that kind of thing because I want something to believe in. I think everybody does.’ And as in many belief systems, hope rises up from the book’s muddy earth – hope in the potential power of the black crystal and in the ties of a family.

As the mother’s strength fades, Jones, a father himself, posits a new understanding of legacy: not being remembered but being supplanted. ‘You realise you’re being pushed towards the end of the spectrum of dying and your [child] is going to replace you.’ From that notion, he spins an admirably deep story that will wrench readers’ hearts as the mother coughs out crystals, and Remy staggers towards replacing her.
Dhs46, available at www.amazon.com.

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